我正要说东西方的口味问题.我的这种演奏风较适合现代西方很多专业人士的口味. 学作曲后演奏就会偏向更理性了.

http://www.youtube.com/watch?v=t0B_ihjLGgM&feature=PlayList&p=A3F54B95486E5D44&index=2

从与国内播客评论的比较可以看出,很多国内认为太平淡而没有感情的风格,而在西方看来很"感人",仿佛"听到了故事": ....very emotional!!!i can feel the story.

这就是差别. 即使是浪漫派的古典音乐,在习惯摇滚乐口味以后,也会觉得"缺乏激情".

因此是相对的.

吉他演奏巴赫,从塞哥维亚浪漫派风格开始, 传承到现在G.索谢尔, 演奏风格日趋理性,而浪漫的诠释法则显得业余,不耐听.

关于这个问题一位网友如此评论:

To anyone writing regarding emotions in music: you don't put them in, you get them from the music. It's like a taste in your mouth. You don't taste prior to putting food in. The best musicians appear detatched,but it is actually deep concentration and were you to listen only, and allow the music to wash over you - you'd feel the emotion.

还有自称是专业人士的mutinyvizier 如此说:

http://www.youtube.com/watch?v=HEeWPpBZmO8&feature=PlayList&p=A3F54B95486E5D44&index=4

It is so comical that incompetent amateurs presume to instruct Abada on the spirit and technique behind executing Bach fugues - phrases such as "be detached" or "playing without emotion", or most recently about tuning (and completely ignorant of the impossibility of achieving equal temperament tuning on the classical guitar).

In speed, poise, clarity, technique, and taste when it comes to playing Bach on guitar, Abada stands unchallenged - the pieces he interprets are to be found NOWHERE

It is literally a first for classical guitar, and any unbiased human with generosity of spirit should be able to concede that.

This are not the Lute suites, or Cello suites transcribed, or even the Violin sonatas or partitas.

These are complex fugues from the Well Tempered Clavier. The interpretation is FLAWLESS.

It is just shameful that more discerning musicians have not posted against these recordings.

Abada is a consummate professional and true artist - only similar people should comment.